Beethoven : Variations Wranitzky, Sonate à Thérèse, Trio op.11 pour clarinette, violoncelle et piano

While Beethoven has become an almost standardized popular icon, we are interested in the creative artist, the musician who knew how to surprise his audience with quasi-improvised pieces at every concert, and whose playground was the creation of numerous variations.

Edoardo Torbianelli, Luca Montebugnoli et Ensemble Lelio

The Parisian salon of La Nouvelle Athènes is the scene of a film session dedicated to the celebration of the 250th anniversary of Beethoven's birth. While Beethoven has become an almost standard popular icon, we are interested in the creative artist, the musician who knew how to surprise his audience with quasi-improvised pieces at every concert, and whose genius played out in the creation of numerous variations.

In the salon of La Nouvelle Athènes in Paris, on the Rosenberger 1820 piano by Bleu Danube

  • Variations pour piano sur la danse russe du ballet « Das Waldmädchen » de Paul Wranitzky WoO 71, 1796dedicated to the Countess of Browne, published by Artaria - 12 mn, by Edoardo Torbianelli, prof. Schola Cantorum Basiliensis, Berne
  • Sonata " A Thérèse " op.78 (1809) – 10 mn, by Luca Montebugnoli, prof. CRR in Paris

With the Ensemble Lélio : Benjamin d’Anfray, Jeanne Mendoche, Roberta Cristini, Lucie Arnal 

  • Joseph Weigl L’Amor marinaro « Pria ch’io l’impegno »  
  • Ludwig van Beethoven: Trio in B flat major for piano, clarinet, cello op.11 - Finale themes and variations
  • Beethoven : Irish Air : " O might I but my Patrick love " WoO 153 n°16
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