Coaching on demand Streicher 1847 and old recordings

Description

– Playing the Streicher piano 1847 - witness of the Viennese aesthetic - calls for other approaches to the keyboard and pedaling.
– The rereading of the romantic repertoires is based on the mastery of old keyboards, the analysis of written and oral sources: 

Listening to the recordings of the last romantics (Reinecke, Joseph Joachim, Clara Schumann's pupils or Brahms) supported by the texts of the methods of the time and the original manuscripts and editions opens new perspectives of interpretation.  These testimonies attest that the interpretation was not limited to the text - partially freezing the musical phenomenon - but included spaces of rhythmic flexibility (rubatoof arpeggiation, of portamento like the art of the Bel Cantoaesthetic ideal of the time.

The artists of La Nouvelle Athènes can accompany you in this research upon request.